CHICAGO BLUES, a ‘Murder Mystery Crime Suspense Thriller’ by Saul Tillock, is truly a phenomenon in modern publishing.

Most people sit down to write the best book ever written. Tillock has somehow managed to write the worst.

Failed soap-actor turned failed writer Tillock breaks every rule in the writer’s rulebook:

Stick to the story? Tillock goes off on tangents and digressions like a distracted kitten.

Keep it concise? Tillock over-explains everything till you want to hurt him.

Find “le mot juste”? Tillock never bothers, he’ll give you nine or ten words that sort of cover the one he’s trying to think of.

Tie up loose ends? Tillock has no idea what that even means.

But even though this maybe the worst mystery thriller ever written, the real mystery is how Tillock has ended up giving us a rip-roaring, belly-laughing, bed-wettingly good story!

How? For less than the price of an overpriced coffee, you can see for yourself!

What the critics said:

“Tillock has singlehandedly created a new genre: Illiterature.” – Liam Walker, Galway News

“A real page-burner” – Andrea Swanson, Boston Review

“Egregious” – Manly Tusk, The North Essex Observer

“Bestsellers aren’t meant to be this good. They’re meant to be much, much better.” – Nic Lender, The View

“I couldn’t put it down, because I wouldn’t pick it up.” – Brioin O’Brioin, The Literary Supplement

“Books like this only come along once in a generation – thank God.” – Layla Tyler, Hoopers’ Weekly

“In a world of average writers, Tillock stands head and shoulders below them all” – Amy Twee, The Guide

“I think some of these reviews are a tad harsh” – Saul Tillock, The Author